a) The alterations to the alien design resulted in a creature with a body almost reminiscent of a feline and curiously. Fincher when he worked with Giger wanted him to design a woman's mouth with thick luscious lips. Some of this is retained in the final creature put together by Gillis and Woodruff.
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Alien creature with
"big, luscious collagen lips"
on the cover of Cinefex magazine
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b) However what we have is a biomechanoid creature with a quadruped animal's body and some roughly female humanoid facial features : the mouth and the chin. Does this make this alien a sphinx?
The Woman's Mouth
1 i) David Fincher: We definitely made it totally asexual although we did give it Michelle Pfeiffer lips (laughs). That's what they're based on. It's always had these little thing lips and I said to Giger, 'Let's make it a woman when it comes right up to Ripley.' So it has these lips that go back, these big, luscious collagen lips. Although I never saw the Alien as sexual really (Starburst - Special #15 - Monster Special, p15)
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| Michelle Pfeiffer with her luscious lips |
1ii)
Gillis "
David also wanted to see more of a face on this creature, while calling for the lips to be a little more fleshy. He kept joking that he wanted Michelle Pfeiffer's lips"
(Starburst - Special #13 - Star Trek Special, p51)
Shadows of a Lethal Feline
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| Giger's finished sculpture of his Alien 3 design |
2i) Giger: "I designed a new creature, which was much more elegant and beastly, compared to my original. It was a four legged alien, more like a lethal feline - a panther or something"
2ii) On Page 52 of the 16/l/1991 version of the script by Giler and Hill,the character Ripley likens it's way of hunting to a lion.
RIPLEY: It's like a lion. It sticks close to the zebras.
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| Closeup of the mouth of Giger's Alien 3 sculpture |
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2iii) When Richard Edlund worked on devising the motion for the puppet of the quadruped adult alien, a starting point was to take a look at cougars and cats but using this as a starting point didn't prove successful for him since they had a different muscular physique from the ADI puppet alien.
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| ADI's alien adult puppet. |
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Richard Edlund: So what we had to do was come up with a style of motion for the Alien because it would now be a creature that no one had seen move before, and frankly some of the early tests we did were pretty exasperatingly hilarious [laughs]. It looked pretty stupid in some of those shots, and it was looking like a bunny rabbit for a while. Then we studied cougars and cats which have this wonderful motion, but they didn't have the same muscular physique as the alien. So basically we tried to copy a few animals that we admired the motion of, and in the end, I think what happened was we tried to copy a number of movements and then we happened onto our own look, so we were able to develop a motion that worked pretty well and since the alien was able to walk on the floor, ceilings and walls, we had a couple of different modes of running. (Starbust Special #14, p59)
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| "Spinx" |
a) Amongst the words below the sketch of the Alien 3 monster. Giger writes below the creatures forearm the word "Spinx" which would be the word 'Sphinx" which basically shows off what Giger had in mind all along.
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| Alien 3 sketch, p64 Giger's film design |
b) However the final design for the creature was not quite what Giger had in in mind, but had been turned by other people into something that was virtually a cross between a dog and an insect. We might think about Giger's lethal feline with a woman's mouth and chin adds up to being near enough the appearance of a sphinx and perhaps this is what the film's creature in the end unconsciously was.
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| Ancient Greek Sphinx |
c) The form of the sphinx turns up in many cultures but one of the most well known in Western society is the one in Greek mythology encountered in the story of Oedipus. These creatures are generally it is said to have the head of a woman, the body of a lioness, the wings of an eagle, and a serpent headed tail. More simply in Egypt, Sphinx sculptures are found to have the body of what is assumed to be a lion with the head of a human. In the Oedipus legend, the creature was sent by the gods to punish the Thebans for the wrongdoings of their king, Laius. She would ask every traveller passing towards Thebes a riddle and then throttle and devour on the spot those who answered it wrong. (See the book Robert Graves Greek Myths for more information about this entity)
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Fernand Khnopff's symbolist version of the sphinx
of a sphinx in "The Caress" (1896). |
a) The alterations to the alien design resulted in a creature with a body almost reminiscent of a feline and curiously. Fincher when he worked with Giger wanted him to design a woman's mouth with thick luscious lips. Some of this is retained in the final creature put together by Gillis and Woodruff.
