Giger's Mordor VII (Work 283) (1975)- The Golem

leading from

H R Giger's Art
and
Hugo Steiner-Prag

and

HR Giger's Mordor Series 

and

Fisher Price Music Box Teaching Clock

 

 

 

 

Mordor VII

 

 

 

 

 

a) See: "At the Master's Grave" by Hugo Steiner Prag serves as a foundation for Giger's Mordor VII?

 

 

 

b) See: Comparisons to James Gleeson's The Sower. The painting that Giger biomechanised  Steiner Prag's "At the master's Grave" with?

Merging Steiner Prag's "At the master's grave" and Gleeson's "The sower" for Giger's Mordor VII

 

 

 

d) See: Comparing Steiner-Prag's "At the Master's Grave" to details from Gleeson's "The Sower"

 

 

e) See: References Illustration from Linda C. Cain and Susan Rosenbaum's "Blast Off" (1973) by Leo and Diane Dillon, (with the idea that it referenced "The Sower" (1947) by James Gleeson) ? 

 

 

 

 

f) Relationship with the Fisher Price Music Box Teaching Clock

Along with a few of other paintings from the paintings from the Mordor series, Mordor VII references Fisher Price Music Box Teaching Clock. Here it comes in the form of the head of the Golem with dark skull and a sleeping cap with its animal face on the back generally referencing the sleeping moon from the clock

 

 

g) See also: Did Mordor VII inspire the Carlo Rambaldi creature from Andrzej Zulawski's "Possession?

The creature as a phallic monster being tended
to by Andrzej Zulawski on the set of Possession

 

 

 

h) See also:  Creature-Effects' humanoid mutant

Creature-Effects' humanoid mutant

The cover for Triptykon's second album, ‘Melana Chasmata'