|Necronom IV, acrylic on paper on wood, 150x100cm, 1976|
Andreas J. Hirsch (writer of Taschen's HR Giger (Baby Sumo book) : It was a painting in Giger's Necronomicon that had immediately convinced Scott to get him involved in shaping the alien creature: Necronom IV (1976), one of the key works in the artist's oeuvre. It shows in profile the upper body of a being with only remotely humanoid traits. Its skull is extremely elongated, and its face is almost exclusively reduced to bared teeth and huge insect-like eyes. Hoses extend from its neck, and its back is dominated by tubular extensions and reptilian tails. The male sexual organ is significantly extended and curved upwards over the head. It opens out into a transparent bulge in which a skeletonized being is visible like a little saint resting in a glass coffin.
The entire body appears to be under a tension that is maintained with ease. Only the powerful arms are still close to the human form, although wires and mechanical tracks are visible under their translucent skin and their material is less reminiscent of tissue than of the grain of medieval woodcarvings. The position of the hands in the top right corner of the image is also noteworthy: they appear to have been taken from the iconography of medieval altarpieces. The elegantly slender fingers contrast sharply with the creature's merciless mien. The hands seem in the process of taking something that is out of sight, as if trying out a grip or magically manipulating something far off.
As a matter of course, the figure takes up the entire picture plane and allows but a little glimpse at the organic background, which is dominated by slimy forms and without any spatial depth. Although there is no indication as to where the creature may be in space and time, it is still obvious that it cannot come from the world as we know it.