Alien: The TV series



a) Pitching an Alien TV series for FX TV

a.i) Having ideas about a show

Rumours came about the creation of  an Alien televisions series around the end of 2018 before news soon came about in 2019 that Noah Hawley pitched the series for FX TV

His idea was that on some level, Alien was the complete opposite of Star Trek, near enough about humanity at its worst

He thought about the time that Sigourney Weaver as Ripley says, ‘I don’t know which species is worse. At least they don’t screw each other over for a percentage.’ 

So he thought about how the alien life form tended to be in a story about being trapped: trapped in a ship, trapped in a prison, etc. 
 

a.ii) Expanding the Life cycle routine

With that the Alien has this life cycle, where it goes from egg, to chestburster, to xenomorph, and there becomes a certain routine to it. 

He thought that it would be interesting if that world could be expanded, especially if it was going to be a ten hour television series.
 
He thought that the life cycle of this creature was insane as well as terrifying.
 
At one point it's an egg and inside that egg is another creature that attaches to your face. Then that creatue attaches to your face laying another creature inside of you. Then that creature bursts out anf grows to something that seems nine feet tall. But what is this creature?
 
Who was laying he eggs?  Once James Cameron added his alien queen to the life cycle, there was no discovery or surprise , we're just doing that again and again
 
 
 
a.iii) Attempt at pitching the show

If there was two hours of action, then there was still going to be eight hours left. 

At the pitching, he tried to tell them what the show was about.

His idea was to take the alien out of the show, and then find out what was the show about? 

What are the themes, who are the characters, and what is the human drama? 

Then the aliens would be dropped back in so that they could say "This is great. Not only is there great human drama, but there’s aliens!’"

What appeared to have happened was that Fox executive Emma Watts was said to have shot down the pitch and it has also been said that Fox head Stacey Snider also was responsible for turning down the idea


He knew tha FX trusted him after all these years having worked on Legion for them and the writing was on the page for the first year.
 
With Legion, he had what felt like a three-act structure to it, but he didn't know if that would be three seasons or five seasons, but he knew there was a beginning, middle and end. With the Alien series, he knw that there desire was for a recurring series rather than a limited one. He had an idea that he was excited about, and he could see the escalation of it from one year to another.
 
So instead of pitching them having a bible or pitching them blow-by-blow, he was saying to them Big picture: this is the first movement, this is the second movement, and we're ultimately going here."
 
 
 
 

 

  1. Noah Hawley is one of the most interesting and respected filmmakers working today. Sure, he didn’t have the best of luck with his debut feature, “Lucy in the Sky,” but his work on TV is pretty much second-to-none, as “Fargo” continues to impress. But that doesn’t mean he just is able to get every project he wants greenlit by studios. In fact, as discussed in a new Observer interview, he had a pitch for “Alien” that isn’t likely going to get made, as it will join the ranks of his unproduced “Star Trek” feature. And as you might expect, Ridley Scott’s sci-fi/horror franchise is very different than “Star Trek.
    “‘Alien’ is on some level the complete opposite of ‘Stark Trek,’” Hawley explained. “It’s sort of about humanity at its worst. There’s this moment in the second film when Sigourney says, ‘I don’t know which species is worse. At least they don’t screw each other over for a percentage.’ If you look at what Aliens tends to be, it’s usually a trapped story – trapped in a ship, trapped in a prison, etc. And because the Alien has this life cycle to it, where it goes from egg, to chestburster, to xenomorph, there becomes a certain routine to it.
    So, with the “Alien” franchise being so different than “Star Trek,” how did Hawley approach this unique style of sci-fi franchise?
    I thought it would be interesting if you could expand,” he said. “If you’re going to make something for television, you’ve got 10 hours let’s say. Even if you have a lot of action, like two hours, then you’re still going to have eight hours left. So what is the show about? That’s what I tried to talk to them about.”
    Hawley continued, “As I did with ‘Legion,’ the exercise is: Let’s take the superhero stuff out of the show and see if it’s still a great show. What’s the show about? Let’s take the Alien out of the show. What’s the show about? What are the themes, who are the characters and what is the human drama? Then we drop the aliens back in and we go, ‘This is great. Not only is there great human drama, but there’s aliens!’”
    While an “Alien” series without a xenomorph sounds a bit like “Prometheus” (and we all know how badly most fans responded to that), it’s hard to argue with the guy that not only did an ‘X-Men’ show (“Legion”) without superheroes and was able to make the “Fargo” TV series not only work as a concept but actually become one of the best shows around. So, yes, we should give him the benefit of the doubt when it comes to a proposed “Alien” series.
    The only problem is that it doesn’t seem like it’s ever going to happen. Much like “Star Trek” on the big screen, no one really knows what to do with “Alien” right now. Maybe that’s for the best.
    (https://theplaylist.net/noah-hawley-alien-tv-series-20200925/)
  2. Watts has long been known as a very strong executive, and several have said she is about the only one there who has been clued in on the Disney plans. Does she have the clout to prevent Fox film properties from being repurposed as TV projects or as streaming projects on Hulu and Disney+ with low budgets and no back-ends? Sources said that in the recent past she fended off an attempt by [Noah] Hawley and FX to take the Aliens franchise and turn it into a miniseries… She did that before the Disney deal, when it was a whole different ballgame.”(https://bloody-disgusting.com/tv/3552491/legion-creator-noah-hawley-fx-wanted-make-alien-miniseries-fox-shot/)
  3. Collider: Jumping into another thing, I heard and I could be wrong about this thing, you had pitched or had an idea for an Alien series. Um, is that true?

    Noah Hawley:  That I pitched or had an idea for one. Er, you know, a few years ago, FX asked me if that, if that was a thing, would that be a thing for me, erm and we had a conversation about it but it didn't go very far and obviously it doesn't seem to be a thing, Alien for TV , but you know, it's, I mean it's such a great, it's such a great story, those, those, certainly those original two movies, you know, uh, um, are so iconic, but yeah, I don't know,  it's not, it's not on my brain right now(https://youtu.be/oqAqmoLAJTA?t=150 Collider, 11th October 2020)
  4. Deadline: We’ve known for some time that film chief Stacey Snider won’t be part of the Disney future, even though she has been in her office this week. Watts has long been known as a very strong executive, and several have said she is about the only one there who has been clued in on the Disney plans. Does she have the clout to prevent Fox film properties from being repurposed as TV projects or as streaming projects on Hulu and Disney+ with low budgets and no back-ends? Sources said that in the recent past she fended off an attempt by Hawley and FX to take the Aliens franchise and turn it into a miniseries, and when Searchlight once wanted to do something with The Omen, she held fast because who wants to give up your franchises? She did that before the Disney deal, when it was a whole different ballgame.  (https://deadline.com/2019/03/fox-film-disney-paul-feig-universal-fox-layoffs-1202579443/)
  5. Noah Hawley: Obviously, they trust me after all these years, and the writing was on the page for the first year. So, in success, you tell the story and tell the story until the story is done. They're very good at that at FX, of not wanting you to milk something that feels like it's over. Legion, for me, I thought ended quite elegantly in that last season with a sort of perfect circle, literally back to the opening image. If they'd said we want one more season, now you've got a detour and you’ve gotta sort of add a thing that's not organic to the full story. It's just better if the story itself can drive how long it is. We want quality, not quantity. (collider https://collider.com/alien-series-multiple-seasons/, January 2024)
  6. Noah Hawley: I think that endings are what gives a story meaning, and so you should never start a story without some sense of where it's going because then you can really build that meaning into it. (collider https://collider.com/alien-series-multiple-seasons/, January 2024)
  7. Noah Hawley: With Legion, I had what felt like a three-act structure to it that I didn't know if that would be three seasons or five seasons, or whatever it was, but I sort of knew what a beginning, middle, and end was. And here, similarly, I knew that their desire was for a recurring series, not a limited series, and I had an idea that I was excited about, that I could see the escalation of it from one year to another. That's where we ended up not pitching them having a bible or pitching them blow-by-blow, but saying, “Big picture: this is the first movement, this is the second movement, and we're ultimately going here." (collider https://collider.com/alien-series-multiple-seasons/, January 2024)
  8. His next TV adaptation: ‘Alien’

    After putting his stamp on “Fargo,” Hawley is in the process of adapting another established cult movie, “Alien,” into a TV series for FX. He is directing the first hour of the sci-fi spin-off, which was first announced in December 2020, and said about 70% of it was shot before filming was suspended over the summer. With the industry beginning to power back up now that the writers and actors strikes have ended, Hawley confirmed plans to resume production in 2024.

    “The plan now is to go back in January, prep the rest of the season — it’s an eight episode season — and start shooting again in early February through July. We’re filming in Bangkok, which is another world away and has been such a great experience for me. It’s aliens and spaceships and science fiction; it’s a whole new palette and genre.

    It’s weird to start, then stop and wait. I was able to cut together what I shot and to really think deeply about what have I learned and do some script revisions, so there’s also invaluable-ness to the opportunity of time, which is something in TV you never get because you’re always racing.”

    The series is set in a time period before the events in the 1979 sci-fi horror classic, and it is the first story in the franchise that takes place on Earth. As Hawley explained, building out the mythology is what made adapting the “Alien” universe for TV compelling to him.

    “The prequels aside, because those are historical documents, what do we really know about the ‘Alien’ universe? We know there’s a company called Weyland-Yutani. We don’t know a lot more about it. We don’t know what the government structure is, the politics of it, what’s Earth — none of that. That’s liberating on some level to not have to thread various needles. But the challenge is also that we’re only ever in these artificial environments, the spaceship or a prison or whatever. What does an apartment look like on ‘Alien’? That basic stuff of the palette of ‘Alien,’ the design of that ship, that dripping is so specific. I think that the sweaty aesthetic of ‘Alien’ plays very well into climate change and the hot, wet future that we’re all moving toward. Technology in the first two movies was rooted in the retro futurism of the ’70s and ’80s. Is that our aesthetic? Those challenges really excite me because I would much rather deal with computers that look like that than holograms and feel like I’m in an Apple store.

    “What’s rooted in the horror of ‘Alien’ is discovery. The life cycle of this creature, besides being insane, is truly terrifying. It’s an egg, and inside that egg is a creature that attaches to your face. I’m already out. But then that creature that attaches to your face lays another creature inside of you — hold on a second. Then that creature bursts out of your chest and grows to 9 feet tall? What is this creature? The experience of watching “Alien” for the first time is so visceral; it just gets worse and worse and worse and worse. [Director] James Cameron was able to take that and turn it into an action movie in which you knew what the life cycle was, so there was the horror of anticipation. But who’s laying those eggs? So he added that other element to it. But after that, there’s no discovery or surprise, we’re just doing that again and again.

    The challenge for me is: Is there a way that we can take the audience back to “wait, what’s happening? What does this thing do?” That was the first challenge. The second challenge, which is why I think it justifies a show with multiple hours of storytelling, is that it’s not just a monster movie. It’s about humanity trapped between this primordial “they want to eat us” past and the AI future, and they’re both trying to kill us. We’ve created these tools that are turning on us, or if we program them correctly, we’ll go insane. Those elements of humanity, artificial intelligence, trans-humanism — ‘what’s the future of humanity?’ is a really interesting thing to talk about right now. Combined with the revenge of nature — we’re experiencing that now as weather or viruses or whatever. If we’re in a place where our self-driving cars are gonna kill us, or we’re going to drown in them, there’s a story to be placed in the middle of that.” (https://www.latimes.com/entertainment-arts/tv/story/2023-11-22/noah-hawley-fargo-season-5)

  9. Christopher Marc for HN Entertainment:  Last year I revealed a possible live-action series set in the Alien universe in the very early development stages and could be heading towards a streaming service. Well, it’s been a couple of months and I have some exclusive updates to share.

    There isn’t just one live-action Alien series in the works, but two of them.

    According to a source, one of them is said to have Ridley Scott as an executive producer and is going to be for Hulu. I would imagine that his production company Scott Free Productions would be involved as they’ve had previous interests in television projects including Ridley’s current project, an android series titled Raised By Wolves for TNT (which is not Alien related and it’s another thing entirely) that is filming in Cape Town, South Africa.

    Details are scarce at the moment but there might be multiple seasons that could tackle different corners/eras of the franchise, not unlike Noah Hawley’s series Fargo.

    In theory, I could see them possibly filling gaps in the franchise or crafting brand new stories to tell within the Alien universe. It still seems to be the very early days with these projects and I can’t exactly speak to what they’ll be about at the moment.

    The Disney-Fox merger is a couple of months away but that wouldn’t stop from Fox developing their own in-house projects. Disney CEO Bob Iger has also suggested in an earnings call recently that they’re open to Fox continuing mature programming/franchises and we’ve already seen Marvel Television launch four mature animated shows on Hulu with M.O.D.O.K., Hit-Monkey, Tigra & Dazzler, and Howard The Duck. There is a very good chance that we could see more mature projects from the Fox side of things take root at Hulu, like this Alien series from Ridley Scott.

    After the less than successful box office run of Alien: Covenant it could be enough reason to pivot to television/streaming for the next little while.

    When we have more information to share we will certainly update. (https://hnentertainment.co/exclusive-two-live-action-alien-series-are-in-the-works-and-ridley-scott-is-producing-one-at-hulu/ February 13, 2019)

     

     

     

 



b) Further Discussions

By  the 29th of November, 2020, Noah made it known to the Deadline website that the Alien series wasn't something that he had been having a conversation about in the last few weeks, 

But then it appeared that he was having conversations from time to time and he wasn't committed, 

Then again he claimed that wasn't going to be someone surprised to see something like this series make its way onto the screen

  1. DEADLINE: Are you still involved with the Alien reboot TV series? I understand deals are trying to be done.

    HAWLEY: I know that there’s an effort to reshuffle a lot of things post-Disney takeover and it was a conversation that I had a couple years back. And I have not in the last few weeks been having those conversations about it. But I know that like any studio that there’s a great desire to make the most of one’s library so I wouldn’t be surprised to see something like that.

    DEADLINE: But you’re involved in it?

    HAWLEY: Ya know, I have conversations from time to time, but I’m not committed.

    DEADLINE: And there isn’t a hard conceit to it yet?

    HAWLEY: No, I haven’t — nothing is at that stage. (https://www.denofgeek.com/tv/alien-tv-series-xenomorph-to-earth/)
 
 
 
 
c) A sudden announcement

Disney Investor Day came on Thursday , 10th December 2020

An announcement was made by FX chief John Landgraf as part of the Disney Investor Day presentation

He uttered the words "FX is moving quickly to bring audiences the first television series based on one of the greatest science- fiction horror classics ever made: ‘Alien,' Alien’ will be helmed by ‘Fargo’ and ‘Legion’s’ Noah Hawley stepping into the creator/executive producer chair, and FX is in advanced negotiations with Academy Award winner, Sir Ridley Scott—director of the first ‘Alien’ film and the sequel, ‘Alien: Covenant’—to join the project as an Executive Producer. Set not too far into our future, it’s the first ‘Alien’ story set on Earth—and by blending both the timeless horror of the first ‘Alien’ film with the non-stop action of the second, it’s going to be a scary thrill ride that will blow people back in their seats."

Breaking that down, it meant that Hawley would be set to write and executive produce the series under his 26 Keys banner, with “Alien” mastermind Ridley Scott in advanced talks to executive produce via Scott Free. 

FX Productions would produce. 

John Landgraf said that FX was moving quickly to bring audiences the first television series based on one of the greatest science-fiction horror classics ever made: 'Alien', and that the series would be helmed by Noah Hawley well known for the 'Fargo' and 'Legion’ series, stepping into the creator/executive producer chair, 

Also it was mentioned that FX was in advanced negotiations with Sir Ridley Scott to join the project as an Executive Producer. 

It was to be set not too far into our future, it was to be the first ‘Alien’ story set on Earth and by blending both the timeless horror of the first ‘Alien’ film with the non-stop action of the second.

It was going to be a scary thrill ride that will blow people back in their seats.

  1. Variety: The announcement was made Thursday by FX chief John Landgraf as part of the Disney Investor Day presentation. Hawley will write and executive produce the series under his 26 Keys banner, with “Alien” mastermind Ridley Scott in advanced talks to executive produce via Scott Free. FX Productions will produce. Per Landgraf, the show is “Set not too far into our future, it’s the first ‘Alien’ story set on Earth.

    FX is moving quickly to bring audiences the first television series based on one of the greatest science- fiction horror classics ever made: ‘Alien,'” Landgraf said. “‘Alien’ will be helmed by ‘Fargo’ and ‘Legion’s’ Noah Hawley stepping into the creator/executive producer chair, and FX is in advanced negotiations with Academy Award winner, Sir Ridley Scott—director of the first ‘Alien’ film and the sequel, ‘Alien: Covenant’—to join the project as an Executive Producer. Set not too far into our future, it’s the first ‘Alien’ story set on Earth—and by blending both the timeless horror of the first ‘Alien’ film with the non-stop action of the second, it’s going to be a scary thrill ride that will blow people back in their seats.” (https://variety.com/2020/tv/news/alien-series-noah-hawley-ridley-scott-fx-1234850109/)


 
d.i) Where the future human race stands
 
We could know that there was a Weyland-Yutani corporation, that there are these creatures that we know of as the alien, and well, we might ask about whether humanity has spread through the universe  and the series might provide some answers.

d.ii) Words on how humanity is trapped

Noah's words turned to how the Alien movies were about humanity trapped between our primeordial, parasitic past and out artificial intelligence future, and they're both trying to kill us as the human race. 
 
The human beings can't go forwards and they can't go back. 
 
 
d.iii) Nothing to do with Ripley

If it should have something to do with the character Ripley, Noah made it clear that here it would have nothing to do with the character. 

He had the need to say that She was one of the great characters of all time, and that her story has been told pretty perfectly, so he didn't want to mess with it. 

Having said that, it was in a podcast from the 14th of June that he revealed have payed money to see Neil Blomkamp's Alien V that so far appeared to change the story of Ripley after Aliens

He has written a could of scripts so far and he was planning to make them in the coming spring. 

He had seen how illuminating it was to see the entire film industry take a year off and they're not trying to jam two years of production into one year, and this meant that it was hard to plan something that could be made within the next six months. 

At this point everyone was making up for lost time and so he would let the bubble that had developed burst a little.

 
d.iv) Aliens on the loose
 
Now he talked about how it would be a story set on Earth. 
 
As he mentioned before, usually the Alien stories were always as it were trapped, as in Alien trapped on a spaceship, or in a prison. 
 
He thought that it would be interesting to open the universe of Alien up a little bit so that the stakes of  “What happens if you can’t contain it?” are more immediate. 
 
 
d.v) A story about inequality

On some level, it would be also a story about inequality. 

Something that impressed him about the original movie was how it was really a blue collar space-trucker world in which Yaphet Kotto and Harry Dean Stanton. 

To him they were basically like Samuel Beckett characters from Waiting for Godot who were ordered to go to a place by a faceless nameless corporation. 

He saw how the sequel Aliens was such an ’80s movie, but still it was about grunts and thought that Paul Reiser as Burke was middle management at best. 

It was the story of the people who were sent to do the dirty work.

In his series, the viewers were going to see the people who are sending them, and what happens when the  inequality we’re struggling with in the world of today wasn’t resolved. 

So he was asking if we as a society can’t figure out how to prop each other up and spread the wealth, then what’s going to happen to us? 

This would also echo Ripley's "which species is worst" comment to Burke.


  1. Vanity Fair: What’s next for you? Is there a season five in the works for Fargo?

    Noah Hawley: Yeah, I think so. I don’t have it yet. I have pieces that will have to survive. They’re not connected. I think it would be good to create an ending, and deliberately come to something, knowing it’s the last one and see how one might wrap up this anthology. What’s next for me, it looks like, is [an] Alien series for FX, taking on that franchise and those amazing films by Ridley Scott and James Cameron and David Fincher. Those are great monster movies, but they’re not just monster movies. They’re about humanity trapped between our primordial, parasitic past and our artificial intelligence future—and they’re both trying to kill us. Here you have human beings and they can’t go forward and they can’t go back. So I find that really interesting.

    Where are you in that process?

    Noah Hawley: I’ve written a couple of scripts, the first two scripts, and we’re looking to make them next spring. When you get to something with this level of visual effects, there’s a lot of preparation that has to go into it. What’s been really illuminating is to see that the entire film industry had to take a year off and they are now trying to jam two years of production into one year. So it’s very hard to look on the planet earth and see where you might make something in the next six months. Everyone is racing to make up for lost time. So, I figure let that bubble burst a little bit and we’ll do it right. 

    Is there anything else you can share about it? Is it part of the Ripley story, or will it be original characters in a different time and place?

    Noah Hawley:It’s not a Ripley story. She’s one of the great characters of all time, and I think the story has been told pretty perfectly, and I don’t want to mess with it. It’s a story that’s set on Earth also. The alien stories are always trapped… Trapped in a prison, trapped in a space ship. I thought it would be interesting to open it up a little bit so that the stakes of “What happens if you can’t contain it?” are more immediate. 

    Vanity Fair: Deadly things that can’t be contained and the whole world at risk? Sounds relevant to the past year.

    Noah Hawley: On some level it’s also a story about inequality. You know, one of the things that I love about the first movie is how ’70s a movie it is, and how it’s really this blue collar space-trucker world in which Yaphet Kotto and Harry Dean Stanton are basically Waiting for Godot. They’re like Samuel Beckett characters, ordered to go to a place by a faceless nameless corporation. The second movie is such an ’80s movie, but it’s still about grunts. Paul Reiser is middle management at best. So, it is the story of the people you send to do the dirty work.

    Vanity Fair: How does that relate to your series?

    Noah Hawley: In mine, you’re also going to see the people who are sending them. So you will see what happens when the inequality we’re struggling with now isn’t resolved. If we as a society can’t figure out how to prop each other up and spread the wealth, then what’s going to happen to us? There’s that great Sigourney Weaver line to Paul Reiser where she says, “I don’t know which species is worse. At least they don’t fuck each other over for a percentage.

    (July 1st 2021 https://www.vanityfair.com/hollywood/2021/07/alien-tv-series-noah-hawley)
  2. Pete Hammond: Are you involved in Aliens, bringing that into this kind of format (TV)

    Noah Hawley: Yeah, that's a project that that came to me through FX as you know erm in, in the new, new Disney er shakeup. erm where the 'IDP' (?)  goes erm and it's something that I was interested in when they, when they told me about it but you know, for better or worse which happens to me, when people say "But what about Aliens?" and I think "oh yeah, that's interesting," and then I think you could do this or you could do that, erm, and erm, so yes, we're still in early stages of of talking about it but erm you know it's it's such a, such a great world and and one of the seminal monsters , you know of film history that that, you know it's been interesting to ro play around with and see what I can do with it

    Pete Hammond:
    Yeah, and when you think of those films and who's been involved, Ridley Scott and James Cameron, and others, You know I can't wait to see what Noah Hawley will do you know having that handed to you and like in a sandbox there over at Disney/Fox or whatever the whole conglomerate it

    Noah Hawley: Yeah, you know that for five minutes, Neil Blomkamp was going to make an Alien movie, I would have payed to see that, that would be cool

    Pete Hammond: Totally, totally (June 14th 2021 https://deadline.com/video/noah-hawley-fargo-interview-behind-the-lens/)) Questions about the Alien universe
  3. It will be fascinating to see what he brings to his new TV project, a series based on the Alien franchise. It's going well, he says, in part because there's plenty of creative space for new stories. "We know there's a Weyland-Yutani Corporation." he says" We know there are these creatures. You don't really know anything about, y'know, has humanity has spread throughout the universe?" The series, he suggests, may provide some answers. We can probably expect the idea of humanity creating its own AI monsters, too. (SFX Magazine, April 2022 ) 






 
f) Details about the future
 
f.i) When it's set

Noah discussed with Esquire what was going on with his series. 
 
It was set on Earth of the future, while FX chief John Landgraf would later be more specific to the point of saying that it was set near the end of the century which would be about seventy odd years into the future which would be right at the end of the 21st century 

f.ii) Different megacorporation

As the Alien cinematic universe was domonated by large corporate entities, with Weyland-Yutani as the one featured in the first three films, there would be references to a different corporation in this show, but it takes place in a the territory of a different corporation that Noah invented 

f.iii) Edison vs Westinghouse vs Tesla type scenario

Meanwhile Noah wanted to described it as Edison versus Westinghouse versus Tesla when it was a question about who was going to monopolize electricity and there was the question about which one it was

f.iv) Transhumanism  concerns

So what if there are other companies trying to look at immortality in a different way, with cyborg enhancements or transhuman downloads, and which of those technologies is going to win. 

This ultimately becomes a classic science fiction about whether  humanity deserves to survive.

f.v) Thinking about planet in the future

Landgraf spoke of thinking forwards about the future of the planet in terms of environment, governance, technology and with that the creation and design of a version of the planet in the future


  1. Esquire: FX's John Landgraf described your upcoming Alien spin-off as “a beast,” and “a really big world-building exercise” for you. What can you tell us about how the world-building exercise is going?

    Noah Hawley: It's going great. It's going slowly, unfortunately, given the scale of it. I've made a certain business out of reinvention. Alien is a fascinating story because it's not just a monster movie; it’s about how we're trapped between the primordial past and the artificial intelligence of our future, where both trying to kill us. It’s set on Earth of the future. At this moment, I describe that as Edison versus Westinghouse versus Tesla. Someone’s going to monopolize electricity. We just don't know which one it is.

    In the movies, we have this Weyland-Yutani Corporation, which is clearly also developing artificial intelligence—but what if there are other companies trying to look at immortality in a different way, with cyborg enhancements or transhuman downloads? Which of those technologies is going to win? It’s ultimately a classic science fiction question: does humanity deserve to survive? As Sigourney Weaver said in that second movie, “I don't know which species is worse. At least they don't fuck each other over for a percentage.” Even if the show was 60% of the best horror action on the planet, there's still 40% where we have to ask, “What are we talking about it, beneath it all?” Thematically, it has to be interesting. It’s humbling to get to play with the iconography of this world. (https://www.esquire.com/entertainment/books/a38591125/noah-hawley-anthem-alien-fargo-interview/ Noah Hawley Is Venturing Into the Absurd With Anthem, Esquire by )

  2. As for the Alien storyline, Landgraf expressed a mix of previously revealed and new thoughts about the project and confirmed the story will not feature any characters from the franchise’s movie, including Ellen Ripley (Sigourney Weaver).

    "Alien takes place before Ripley,” he said. “It’s the first story in the Alien franchise that takes place on Earth. It takes place on our planet, near the end of this century we’re currently in — 70-odd years from now."

    All I can tell you is Ripley won’t be a part of it, and neither will any other characters — other than the alien itself,” he added. “Noah has an incredible ability to both find a way of being faithful and showing fidelity to an original creation, like to the Coen brothers [with Fargo] or to Ridley Scott’s movie and James Cameron’s follow-up Aliens, but also to bring something new that represents both an extension and reinvention of a franchise at the same time. He’s done a masterful job with Alien as he did with Fargo. There are some big surprises in store for the audience."


    I hope they will feel like it’s faithful to the franchise they love but also a brave and original reinvention of that franchise,” he continued. “Setting it on Earth is really interesting. We have to think forward about the future of the planet in terms of the environment, governance, technology and create and design a version of the planet in the future … Noah wants to do that in a distinctive and original way.
     
    (Hollywood Reporter FX Gives New Details on ‘Alien’ TV Series, Teases “Big Surprises” February 17, 2022) 
  3. Noah Hawley’s long awaited Alien series will finally begin shooting this year. 

    "Noah is currently in production on the fifth season of Fargo but he’s in active preproduction on Alien, he’s written scripts,” said FX Boss John Landgraf providing an update at TCA on the long-in-the-works series.

    I think he’s meeting with his production designer in Austin this weekend, gearing up for production this year after he completes the fifth season of Fargo.

    At last year’s virtual TCA winter tour, Landgraf specified that Hawley’s Alien, “takes place before Ripley. It’s the first story that takes place in the Alien franchise on Earth.”

    It takes place on our planet. Right near the end of this century we’re in — so 70-odd years from now,” added Landgraf then.

    Ripley won’t be a part of it or any of the other characters of Alien other than the alien itself,” the exec said.

    Hawley’s Alien series was first announced during the pandemic at the Disney Investor Day in December 2020.

    The latest installment of Fargo is set in 2019, and asks the question: when is a kidnapping not a kidnapping, and what if your wife isn’t yours?

    The series stars Juno Temple, Jon Hamm, Joe Keery, Lamorne Morris, and Richa Moorjani. David Rysdahl, Sam Spruell, Jessica Pohly, Dave Foley and Nick Gomez  (Noah Hawley’s FX ‘Alien’ Series Gearing Up For Production This Year – TCA, (January 12, 2023 12:14pm https://deadline.com/2023/01/alien-fx-series-noah-hawley-tca-1235220100/)
  4.   Noah Hawley’s “Alien” series for FX is finally starting to come into view after delays in filming. During the ongoing TCA tour — virtual once more, yet again due to the ongoing spread of Covid — FX chairman John Landgraf said that Hawley has turned in all the scripts for the limited series spin on the sci-fi franchise. It’s also confirmed to start shooting next year, and it also is going to mirror the tone of the ones that started it all, Ridley Scott’s 1979 “Alien” and James Cameron’s 1986 “Aliens.”

    I’m a big fan of ‘Alien’ and ‘Aliens’ and I remember watching both of them in the theater and how shockingly original and surprising each of them was in its own way,” Landgraf said. “And so, similar to his approach to ‘Fargo,’ Noah decided to not take Ripley or any character from Alien – except perhaps the xenomorph itself – but go back and figure out what made the franchise so great and so durable in the first place and see if he could find an experience that felt like walking into a theater and seeing one of those first two movies, where you get caught off guard.

    Keeping any specific details on the hush-hush, he concluded, “That’s all I can say at this point though.

    Asked if the Weyland-Yutani corporation of the original films factors into this series, Landgraf said, “The ‘Alien’ cinematic universe is that it’s a world that’s sort of dominated by large corporate entities, and Weyland-Yutani has been an important component of the movies. There are references to that corporation in this show. But it actually takes place in the territory of a different corporation that Noah invented.

    The series will be a prequel to the original “Alien,” taking place before Ripley ever graced the screen. The FX executive said that Hawley’s show will take place on Earth at the end of the 21st century, roughly 70 years from now. No characters from the original movies will be involved.

    Alien” was originally to shoot last year, but Hawley and FX ended up prioritizing the fifth season of their anthology series “Fargo,” which Landgraf said at the TCAas will be more comedic in tone. “It’s always a balance between how dramatic versus comedic it is, and this is the more comedic end of the spectrum. I really love it.” This season stars Juno Temple, Jon Hamm, and Jennifer Jason Leigh.

    Landgraf has had a big TCA so far: yesterday, he proclaimed that 2022 would be “the peak of peak TV.” (‘Alien’ FX Series Will Be Closer in Tone to First Two Movies: Expect to Be ‘Caught Off Guard’ by Ryan Lattanzio, Aug 3, 2022. Yahoo.finance)

  5.  "Look, a two-hour movie, you can set it up and then it's just about, 'Are they going to survive?' But if you're making a series, 'Are they going to survive?', you can't sustain it. Even if you have 60% of the best action-horror on television, you still have 40% of 'What are we talking about?'" Hawley explained. "What is this moment on Earth, technology-wise? And where are we? And the question science-fiction always tends to ask is, does humanity deserve to survive? So that seems like a really interesting question to continue to explore." (https://www.cbr.com/alien-series-inspired-by-movie-moment/)
  6.  How Ian Holm's Ash Inspired the Series Hawley confirmed that part of the Alien series will be exploring AI, which has roots in the franchise dating back to the original film. In that movie, Ian Holm's Ash is revealed to be an android, marking one of the more memorable twists in the entire film series. Hawley said that specific scene was a key moment that inspired the upcoming TV show, providing another hint about the plot. He also spoke about how he's going to play around with the structure established by the films (https://www.cbr.com/alien-series-inspired-by-movie-moment/)
  7. "And then it always mimics the life cycle of the creature, right? Which is egg, slow, Facehugger, starts to get faster — you know what I mean? And of course, that's great for a horror movie to build that way. So I found a way to kind of innovate around that structure and play with it," he said. (https://www.cbr.com/alien-series-inspired-by-movie-moment/)
     
 
 
 
 

 
 
h) By February 17th 2022,  Landgraft  revealed that he was looking for shoot another series of Fargo in the winter of 2022, and that it would be shot before the Alien TV series. 
 
But as it went, ther were more scripts for Alien than there were for Fargo. But Noah was writing both, sending Landgraf so far one for Fargo and five for the Alien TV series
  1. Hollywoodreporter: "We need to shoot Fargo this winter, so we’ll be shooting Fargo before Alien, though we have more scripts for Alien than Fargo,” Landgraf said. “Noah is writing both right now.”

    He added that he’s received one script for Fargo and seen five for Alien. (FX Gives New Details on ‘Alien’ TV Series, Teases “Big Surprises” The "extension and reinvention of the franchise" won't feature any familiar characters, says FX chief John Landgraf, but will "think forward about the future of the planet in terms of the environment."

 
 
 
i)  January 12th 2023, at the Televison Critics Association press tour, the FX chief Landgraf revealed that the series was set to begin pre-production in the near future once Hawley finishes with the fifth season of “Fargo.” 
 
In fact he was aware of the possibility that Noah Hawley would be meeting with his production designer that weekend in Austin,
 
While Hawley was also writer, he would be executive producing the series under his 26 Keys banner
 
The script, penned by Hawley, has been completed.
 
  1. Variety: On Noah Hawley’s “Alien,” the FX chief announced the series is set to begin pre-production in the near future once Hawley finishes with the fifth season of “Fargo.” The script, penned by Hawley, has been completed.(https://variety.com/2023/tv/news/fxs-john-landgraf-updates-american-sports-story-american-crime-story-season-4-alien-1235487680/)
  2. Variety: This is the biggest development announced for Hawley’s “Alien” show in some time. Most recently, FX boss John Landgraf said that the show would begin production “this year” at the 2023 Televison Critics Association press tour in January.

    I think he’s meeting with his production designer in Austin this weekend, gearing up for production this year after he completes the fifth season of ‘Fargo,'” Landgraf said at the time. He also confirmed that the character of Ellen Ripley is not featured in the show, which will instead focus on entirely new characters. Hawley is writing and executive producing the series under his 26 Keys banner.( Variety ‘Alien’ Series From Noah Hawley at FX Casts Sydney Chandler in Lead Role May 1, 2023 3:30pm PT)

     
 

 
 
j) May 1, 2023 News that Sydney Chandler has been cast, and so on
 

  1. Hollywood Reporter:Pistol and Don’t Worry Darling actress Sydney Chandler has become the first person cast in the series from Fargo showrunner Noah Hawley. (FX’s ‘Alien’ TV Series Taps Sydney Chandler to Star. The ‘Don’t Worry Darling’ and ‘Pistol’ alum is the first person to be cast in Noah Hawley’s new take on the beloved franchise. By Lesley Goldberg, Borys Kit )
  2. Hollywood Reporter: Chandler made her TV series debut in the FX limited series Pistol, where she played Pretenders singer-songwriter Chrissie Hynde. She also starred in Olivia Wilde’s Don’t Worry Darling and will next be seen in Apple’s Sugar. She’s repped by UTA, Mosaic and Jackoway Austen. (FX’s ‘Alien’ TV Series Taps Sydney Chandler to Star. The ‘Don’t Worry Darling’ and ‘Pistol’ alum is the first person to be cast in Noah Hawley’s new take on the beloved franchise. By Lesley Goldberg, Borys Kit )

Alien's Nostromo sets had been designed at the time to be rough prediction of where NASA technology was going one hundred years into the future using the materials that they had could get there hands on from the then today of 1970s. Dan O'Bannon and Ron Cobb were using all of their scientific inventiveness to advise on how everything seem as real as possible. 

k.ii)  Alien and Aliens "Retrofuturim"

Noah would see the Alien and Aliens' sets as retrofuturism with giant computer monitors with weird keyboad and preferred this retrofuturism. In hindsight perhaps it might seem all retrofuturistic since there sets were made from a materials existing in the laer 1970s. then of course Ridley Scott used the same style of thinking for the sets and visible technology of Alien in the film Blade Runner released in 1982, which was designed to look predict the future 40 years ahead but would be often be labeled as "retrofuturistic" anyway.

Where Aliens stands in terms of retrofuturism is another thing because it played with the idea of the past of Vietnam and projected that into the distant future se over five decades after Alien

With Prometheus and Alien: Covenant, Noah would imagine that the technology there was thousands of years more advanced than the technology seen in Alien and Aliens, and it didn't compute for him.  

k.iii) A set like the Nostromo

He was able to walk onto a certain set in the production and it seemed to raise the hair on the back on his neck in a good way feeling as if he was on the Nostromo from the movie Alien, with the set inspired by the design, and he liked to think that he was in the movie. 

k.iv) A show without holograms

There would be no holograms or the convenience of what he would perceive as "that beautiful Apple store" technology seen in Prometheus and Alien Covenant. 

k.v) Ridley's involvement

With Scott Free producing the Alien series, and Ridley making two or three movies a year, he would allow Noah to pick his bain about all of his thoughs, process, decisions, and things that he had learnt. He would try to keep Ridley in the loop, sending him materal so that Ridley could feel respected and included while still doing his own thing.   

3 comments:

  1. "Alien: The TV series" was first posted 25th September 2020,and then was updated significantly on 10th December 2020 when news came that the series was confirmed. I've come back to edit the text again to make it more coherent

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  2. Updated with information from the Vanity fair interview from 1st July 2021 and the Deadline interview from 14th June 2021

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  3. Added details from "Noah Hawley Is Venturing Into the Absurd With Anthem," Esquire by Adrienne Westenfeld, Jan 4, 2022

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