b.ii) Where it would have gone?
It would have been as if Ripley surviving the first Alien movie,
embracing the monstrous world that she had stepped into, would thus
become the alien in Aliens and then would go on to become the heroine.
b.iii) Did Alien Resurrection borrow his idea
Ripley lying on the living landscape in Alien Resurrection|
- Clive Barker: If you look at it from the aliens' point of view, Aliens is a Viet Nam movie! You know, you go into their territory, you try to colonise the fuckers, the damn things fight back... so you wipe them out! Now I love Aliens, which is a brilliant picture for all kinds of technical reasons, but in our enthusiasm for the imaginative we often forget that the subtext is politically reprehensible (Clive Barker's Shadows in Eden)
- Clive Barker: It's very convenient that, in Aliens, the strange and the mysterious and the extraordinary just happen to be all devouring and actually very ugly, but -. (Clive Barker's Shadows in Eden)
- Clive Barker: And they have to choose to turn their backs on it, or embrace it, and invariably they embrace it. Now in Nightbreed, I've taken it three steps further, in the scene that the hero [Boone] not only embraces the monstrousness of the Breed but becomes one of them, and then goes on to reinvest his life with meaning by becoming one of them. It's almost like Sigourney Weaver survived and became the alien, and then went on to become the heroine of Aliens. (Clive Barker's Shadows in Eden)
- Clive Barker: It's a much more complicated question than it first appears, but you know why; because people are sold things in this town very simply - the thirty second pitch. Which I will indulge in freely if I can, because there is value in the thirty second pitch. I took American Horror to New Line, and I said "This is the Age of Innocence meets Aliens. " An unlikely pairing - but they got it, you know. I sold that movie in two minutes. So there can be value in that, but there are also times when that simply does not make any sense. (The Dark Fantastic, p492)