a) Idol Of PerversityFlemish Symbolist Jean Delville in the year of 1891, the same year that the Bradshaw cave in the Kimberley region was discovered, named after Joseph Bradshaw who first discovered and recorded the wall paintings. Delville created the composition Idol Of Perversity that displays the snaking form with it's tail slithering between her breasts and tongues of light emanating from her head.
|The Idol of Perversity by Jean Delville 1891 |
(source of image: http://imageevent.com/ )
b) Zig zag devil
The three prongs in the face of the rock painting are the remains of a human figure like the one on the far left in the picture and Jean Delville perhaps translate this into his drawing showing the edges of the veil either side of her face and naked bosom. Exactly how Jean Delville came to know about the cave painting within that year is unknown but it's easy to imagine that he saw images of Joseph Bradshaw's findings one way or another the year it was discovered.
c) Treasures of Satan references the Mona Lisa/ La Gioconda
Lynda Harris discussds the possible connection between this painting and Treasures of Satan in an article for the Theosphical Society's Quest Magazine back in 2002 https://
|Mona Lisa/ La Gioconda|
( c. 1503–06, perhaps continuing until c. 1517)
by Leonardo Da Vinci
Perhaps the image of La Gioconda / Mona Lisa was reversed and so we see the pathway in the distance turning into the end of the Satan's tentacle tail. The head area is transformed into the Satan. Her skin above the top of her dress has been extended downwards to become a trail of nude bodies.
|reversed Mona Lisa and the tentacle wing from Treasures of Satan|
|the trail and tail|
d) There are also points of comparison between the Sokar Funerary Barque from the Papyrus if Ani
i) The horns of the antelope head become the tips of the Satan's wing like tentacles.
ii) The head of the antelope becomes the material wrapped around the arm of the Satan
iii) The fan on the left of the barque, becomes the material flowing down the left of the Satan which would be in front of his head.
iv) The stern of the barque on the right becomes the tail end of the tentacle wings, the row of three or four spoon like rudder pins becomes the octopus suckers.
v) Some further knowledge of the Solar Funerary Barque might have been had by Jean Delville such as versions with rows of falcons along the barque just before the head such as the ones found on the walls of the Temple of Rameses III at Medinet Habu which would have been known about at the time and such falcons might have become he bent tendrils from he upper part of the tentacle wings
vii) His shendyt (skirt) becomes the area of glowing plants to the bottom left
viii) The spanner shapes above the runners of the sledge inspired the idea of a human form, and so there is a flow of human bodies approximately three people wide and so they represent the three supports of the barque.
ix) The browns, oranges and white of the Solar Funerary Barque depiction might have inspired the choice of colours for Delville's painting. The white of the pillow like shapes between the supports become the white on the bodies.
|Sokar Funerary Barque from the Papyrus of Ani and the Delville's Treasures of Satan|
d) Treasures of Satan
So perhaps also Jean Delville developed took the above and merged them together with other elements perhaps still to be understood and turned into into the painting"Treasures of Satan" which was first exhibited in 1895. The zigzagging tentacles have been developed into ones of a monstrous size on the back of a man who resembles a ballet dancer, as if what were once angel's wings have been transformed into hellish tentacles.
Zig zagging tails for a dragon were a normal thing, Gustave Moreau had used them for his dragon in the decades before. (See Gustave Moreau's dragons)
|Jean Delville's Treasures of Satan|
e) Wikipedia on Treasures of Satan
Wikipedia talks about the rest of the themes of the composition saying that "Delville was a great admirer of Eduard Schuré’s The Great Initiates, and it could well be that Satan’s Treasures is inspired by an episode from the Initiation of Isis in Schuré’s book. In the relevant scene, Schuré describes the novice’s failure of an early test, the temptation of the senses. Wrapped in a dream of fire, the novice becomes drunk with the heavy perfume of a seductive woman, and later falls asleep, after wildly satisfying his desire. This failure is described by his hierophant as a fall into the abyss of matter." (source wikipedia.org/wiki/Jean_Delville)
f) See also Descendants of Delville's Treasures of Satan