a) David Giler the producer, continued to rewrite the script numerous times over the Spring, rewriting until there was little resemblance to the original and he did not want Dan O'Bannon's involvement.
Ron Shusett revealed in interviews extra information about various drafts of Alien that David Giler and Walter Hill wrote that went to extremes and during this time it was as if the alien ship, its alien pilot's remains and the egg silo were disappearing or being totally transformed beyond recognition in pursuit of Hill and Giler's need for their sense of realism
depiction of Attila the Hun |
b) In one description of the different drafts, the crew of the Nostromo would have the ability to call people from the past to fight the alien. In one instance they would call Hercules to fight the Alien and another instance they would call Genghis Kahn to fight the alien.
In another description of the different drafts, the crew would be brought to fight past monstrous villains from history such as Attila The Hun and Jack The Ripper.
As pointed out by the Ask Mr Kern radio program, the plot sounded more like the "Savage Curtain" episode of Star Trek.
depiction of Genghis Khan |
Source Quotes
- Dennis Fischer: Are they doing , without too many changes, your original script?
Dan O'Bannon: Well, David Giler, who is one of the producers, sat down and just kept rewriting it all Spring, and just kept rewriting it, and rewriting it, and rewriting it 'til there was very little resemblance to the original screenplay, and then I wasn't allowed to participate in that because he didn't want me to. He was producer. (Rocket Blast's comic Collector, no.148) - Ron Shusett: Regarding Giler and Hill, they did eight various drafts. And they went off in many different directions and so there were as different, I can’t even describe how many, so it was almost a different story many times. But it kept getting closer and closer back to the original cos the director kept thinking he liked the original better. For example, instead of the space jockey, they one time thought it would be, it looked like a futuristic bunker just made out of concrete and plastic and futuristic plastic and it looked like some advanced race had a war there. That was one idea they had. And so that you wouldn’t have that, replace that scene. Another idea they had let’s go really far out there, let’s have the ability to call people from the past to fight the alien. They would call Hercules or and it was ridiculous and everybody was laughing, ok this doesn’t work. They were trying, roping, you always have to see how far you can push the envelope. It got ridiculous when you got Genghis Kahn to fight the alien. So you can see how far apart it got. And then it got closer and like that bunker, but less spectacular. So they tried every level through eight drafts making it more outlandish to make it more realistic, but Ridley kept coming back to the structure we had which was working superbly in every way and they wrote a lot of dialogue that later remained, but structurally only one thing they did remained. And that was a masterpiece of an idea I thought. The second best idea in the whole movie.( report from what was additionally said in the interview for "Alien Evolution", 2001)
- Ron Shusett: They wanted that to be an army bunker for some reason, I guess they
just, "okay this will give it realism", and that's boring, you can't,
you know, once you're committed to that, you can't go back to a steel,
you know, twentieth century army bunker. It's, it's, it's, it's er...
that goes backwards in imagination where as that Giger design which he
hand painted, airbrushed that whole wall himself personally, like he
did his artwork, and that's why it looks so eerie, and and er the
creature inside it too, the crew called Space Jockey. So that was one
thing where they wanted realism, and then they said, "okay". Ridley said,
"no no, they can't use space things with realism like that, okay." Then
they said, "we, more out there" and then they said something like, which
sounds good on paper, but as you said, "we don't know the road not taken",
their idea was somehow every past villain in history they would have to
fight, somehow, Attila the Hun, ah, you know, ah, I can't even think of
some of the classic, ah ah, classic monsters, not monsters, these were
more human, famous historical villains, ah, that they would have to
challenge at different times, not monsters, but people for, that were
Hitler type people, people that were mass murderers, er, or or, some
cases maybe a creature, but a creature that you, Jack the Ripper, well
that was one of them. They wanted...
Interviewer: What, are you talking about Alien?
Ron Shusett: Yuh, so they, so that just threw it into a turmoil
Interviewer: That's the craziest idea ever
Ron Shusett: yes, pardon me
Interviewer: That sounds like the craziest idea ever
Ron Shusett: I know, it sounds crazy (http://www.askmrkern.com/page3.php October 27, 2012)
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ReplyDeleteask_monroville 22 posted "By the way, here is some more information from the article WRITING ALIEN:
ReplyDeletehttp://alienseries.wordpress.com/2013/03/05/writing-alien/ " along with the rest of the essay. I have reposted though his main comment with the URL so that people can read the essay should they so wish, but have not reposted the essay here because I think the writer ought to have the essay read in the context of his own site and be able to make whatever changes without being too concerned about what versions of it from the past have been posted wherever.
That's the stupidest idea ever! Were Giler and Hill actively trying to ruin the movie or what?! Such hubris to think they knew anything about what the public expected from a good sci-fi movie... They really had themselves in high regard, didn't they?
ReplyDeleteI think it may have been a matter of Giler wanting to make the script so far removed from STARBEAST that he could legally boot O'Bannon out of the production. After reading numerous articles regarding the making of ALIEN, it comes across as Giler and O'Bannon never got along right from the start, and Hill and Giler (Giler especially) wanted to craft their own story and leave "the plebe" back on the couch.
ReplyDeleteIt's kind of sad, really.. how some people like Raimi and Jackson go on to make big budget movies, whereas O'Bannon and others get close to reaching the flame but something goes awry and their chance slips away.
that just goes to show you, it's impossible to get an idea of just what sort of movie it'll be until it's at least half-way in the can of shooting film... based on that "time travel" and other stupid elements, anybody reading those early drafts and idiot ideas would trash the whole thing before production even started.
ReplyDelete