Prometheus: Ridley Scott's appreciation of the Martian technology in "Quatermass And The Pit"

Leading from

a) Nigel Kneale wrote a very good screenplay for the Quatermass and the Pit TV series from 1958-1959, and then this story was made into a film with a different cast in 1967,  renamed for the American audience as Five Million Years to Earth.

b) Ridley was able to talk about some of his ideas for Prometheus in terms of what he remembered of the film. He was impressed by how early Nigel Kneale came up with this concept of Previsitation even before the likes of Eric Von Daniken, although perhaps Kneale's work might bear traces of Arthur C Clarke's Childhood End which was a story that Stanley Kubrick would consider turned into film but was made into a television film in 2016.

Mind film from the 1967 film "Quatermass and The Pit" showing genetic memories of the cleansing of the hive
c) Quatermass And The Pit's story contained a machine that could read and display pictures being displayed in the mind, and characters were having race memories inherited from their distant Martian ancestors , showing quick blurry shots of mass slaughter on the planet as the insect like civilisation would cleanse their own species.

d) The story entailed what was perceived as a bomb or a V2 rocket that hadn't gone off, but was lying beneath, firstly in the TV series, a Knightsbridge building site, and later in the film version,  in the walls of an underground subway station. It looked cylindrical, and like a weapon. They seal off the area and send in the army personal , but they discover it's a spaceship.

Mind film from the 1967 film "Quatermass and The Pit" showing genetic memories of the cleansing of the hive

e) The station is Hobb's Lane and Hob was the nickname for the devil. It had been called Hob's Lane since the 16th Century because there have always been strange emanations in what was then the countryside before it became a little street and part of the city. So it would have been that the street was always haunted and then as cottages were built upon it, the cottages became haunted. Ridley thought that was such a great idea, because it provided the basis for something tied up to historic fact to present day repercussions. There would be the idea that people thought that something was a ghost, but it was something due to the presence of this spaceship in the ground that set of visions of the human's own ancient memories and set off their inherit psychokinetic powers inherited from the Martian genetic alterations to the human's prehistoric forefathers to carry the genes of the Martian's own dying civilisation. Whatever this technology was about, it was the Martian's own and somehow its strangeness made sense. Ridley wanted something comparable for the civilisation that the creature that we would come to know of as the "Space Jockey" and they would be named "The Engineers"

f) In the corridors of the domed building and the derelict ship, we would see holographic displays of the last significant event that took place such as Engineers running away from an unseen foe, leading to one collapsing and being beheaded by a door leading to perhaps an emergency exit. We would also see a holographic display of the Engineer arriving in the pilot chamber of the Juggernaut, preparing for their flight, perhaps unconcerned or unaware that three out of four of them are infected by the black stuff found in the ampules

Holographic recording of the Engineers running

g) Perhaps Ridley also knew about The Stone Tapes written by Nigel Kneale as well that explored the idea of the stone in a room containing an electromagnetic recording of a traumatic event that happened in a room that was being seen as a ghost, since this fit in well with what was going on with the holographic recordings in Prometheus

  1. Ridley Scott:  You know, I thought of, how do I say it than rather having to animate lots of , hundreds of these things all running digitally, erm, which meant it could be hokey, erm, and I had taken that originally off a, a, a quick shot, I'd seen a blurry shot, way back when, in a film called Quatermass And The Pit. In Quatermass And The Pit, they go into the cranium, there's a race memory from the cranium, and the screenwriter was very creative uh, man, and he was the first one to come up with the idea of pre-visitation, I think even before Eric Von Daniken, where they found what they thought was a bomb, from the second world war, lying underneath a subway, and they thought it was an old bomb, like a V2 rocket that hadn't gone off, so they go in there and find it's cylindrical, looks like a weapon, so it's all locked off and army personnel go in and of course it's a spaceship, and above it, the area is called Hobb's Lane, Hobb's Lane. Hob is the word used for a male witch, and Hobb's Lane, it's been called Hobb's Lane since the 16th Century because there's always been strange emanations in this section of what would then be countryside and then a little street and so on. So it was always sort of, the street was haunted and then as cottages were built on it, the cottages became haunted, and I thought that was a great idea, not that we ever used it because the fundamental basis was that. I thought it was tied up to historic fact with present day repercussion, and people think it's a ghost and it's not at all, it's something that, the presence of this thing in the ground that keeps appearing because of what it is, I don't know. Because it's a, their version of electronics. (Prometheus in

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