Giger's letter to Twentieth Century Fox no.2 (December 19, 1997)

GIGER'S SECOND LETTER TO: TWENTIETH CENTURY FOX FROM: H.R.GIGER December 19, 1997 However Twentieth Century Fox is maneuvering its way through the legal issues in order to keep HR Giger far away from proper credit and profit, one thing is certain: the Biomechanical style of HR Giger in any Alien sequel is obvious to everyone. No future Alien copyist or imitator will be able to hide that fact. The Alien Lifeforms, environments, the whole Alien world is created and copyrighted under the law by HR Giger. This is confirmed in the Academy Award of 1980 for "Best Achievement for Visual Effects." I reserve all rights to my own intellectual property. The copyrights granted to Fox are only for the uses which have been contracted and paid for. In regards to the new Alien development called the Newborn, it is just another Giger design, which you will realize when you look beneath the shell of the adult Alien head, as seen in the photos on page 60 of my book. The human skull under the face has been exposed and the creature's sinewy body has been contaminated by deformed features. Fox, however, tries to deny HR Giger's influence. No objection was ever voiced to the title of the book named after its mentor "HR Giger's Alien", published by Sphinx in Basel and Big O in London. It would have been wise for Fox to add my name into the main and final credits, immediately, five weeks ago. For every day that passes without this embarassing wrong-doing being fixed the damage grows. Since Fox refused my request for a screen credit, I have received hundreds of e-mail messages from Alien fans, all of them stating what an outrage it is that hundreds of million dollars are made on Giger's Alien but that his name could not be mentioned among the several hundred other names, even in the credits. Tom Woodruff's Alien design style is simply "HR Giger's Biomechanical". Woodruff, an excellent effect specialist, said about his "Alien Viper's Nest" : "It is like an HR Giger's painting come to life." Yes it is. It has been newly stolen from my book "Necronomicon". As photographed from above, you will see that it is a section of my painting "Passagen-Tempel / Eingangspartie" (Passage Temple / entrance section) Work # 262. This painting existed three years before the first Alien movie had even started to be filmed. During my participation on the first Alien, Fox was permitted to use my books as a guide and my book "Necronomicon" was Ridley Scott's bible. There can be no Alien sequel, not even in the future, that is not influenced by H R Giger's Biomechanical style. (at present the only source for me for this letter is

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