leading from
a) “The Painter’s Eye” (1942) by Salvador Dali
b) The Inspector #4, (April 1975)
c) The telephones on eyelash tendrils extending from a great eye become the Inspector standing on the Commissioner's stomach
d) The clock face on a human shaped brick structure becomes a bird
e ) The crude gnome like baby stepping out of a tree and the draw beneath become the Commissioner's head
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