Leading From
Enki Bilal: Illustration for the cover of Ray Bradbury's The Martian Chronicles (1975) by Enki Bilal
a) Moebius' derelict exterior
When Moebius arrived on the project and stayed for a short time, Ridley had him design a derelict ship.
Moebius came up with a view of the vessel in the distance on a landscape and a closeup of the vessel's observation dome.
The shape of it might be comparable to a space rocket capsule or an inverted spinning top.
b) See: References Early Ridleygram of the derelict exterior?
c) Comparisons to Bilal's Martian Chronicles cover illustration
What was interesting also was how elements of this resembled Enki Bilal's spacecraft design for the cover of Ray Bradbury's Martian Chronicles from 1975.
Bilal was another illustrator working for Metal Hurlant, whose work Ridley admired and would later influence aspects of the look of his movie Blade Runner.
A question to ask is how involved Dan O'Bannon would have been to get the most out of Moebius, as he was certainly talking to Moebius and seeing what he was drawing.
I might wonder if he was the one familiar with the Bilal drawing, loved it and recommended that Moebius use aspects of it for the derelict.
When Moebius arrived on the project and stayed for a short time, Ridley had him design a derelict ship.
Moebius came up with a view of the vessel in the distance on a landscape and a closeup of the vessel's observation dome.
The shape of it might be comparable to a space rocket capsule or an inverted spinning top.
Moebius's derelict ship (from SFX December 2014 preview of The Alien Archives book) |
b) See: References Early Ridleygram of the derelict exterior?
c) Comparisons to Bilal's Martian Chronicles cover illustration
What was interesting also was how elements of this resembled Enki Bilal's spacecraft design for the cover of Ray Bradbury's Martian Chronicles from 1975.
Bilal was another illustrator working for Metal Hurlant, whose work Ridley admired and would later influence aspects of the look of his movie Blade Runner.
A question to ask is how involved Dan O'Bannon would have been to get the most out of Moebius, as he was certainly talking to Moebius and seeing what he was drawing.
I might wonder if he was the one familiar with the Bilal drawing, loved it and recommended that Moebius use aspects of it for the derelict.
Enki Bilal's cover painting for Ray Bradbury's The Martian Chronicles (1975) |
Enki Bilal's cover painting for Ray Bradbury's The Martian Chronicles (1975) and Moebius's derelict ship for Alien |
closeup of Enki Bilal's cover painting for Ray Bradbury's The Martian Chronicles (1975) and Moebius's derelict ship for Alien |
tops of Enki Bilal's cover painting for Ray Bradbury's The Martian Chronicles (1975) and Moebius's derelict ship for Alien |
Thursday 30th March 2017, I purchase a copy of "Valerian - Ambassador of the Shadows" by Jean Claude Mezieres and P Cristin at the Forbidden Planet in London.
The French comic book story was initially published in 1975 and would have been something possibly referenced by Moebius.
I find a very strange image of a spacecraft and excitedly realise that somehow it was part of the design evolution of the derelict ship.
In the story the ship is own by a gang of extra-terrestrials who come to kidnap an ambassador
villain's spacecraft from Valerian - Ambassador of the Shadows |
The crystal windows on the side transform into a dome side window and the shape of the entrance below he has abstractly turned upside down on his derelict ship
villain's spacecraft from Valerian - Ambassador of the Shadows and Moebius Derelict |
corner pod of villain's spacecraft from Valerian - Ambassador of the Shadows and Moebius Derelict |
Entrance of villain's spacecraft from Valerian - Ambassador of the Shadows and Moebius Derelict |
- Ridley Scott: This was a Moebius idea of the derelict. It's actually rather nice and slightly archaic and faintly Victorian for some reason or other. I quite liked it but we finally decided, it simply wasn't strange enough - not unearthly enough. It was too normal, so therefore Giger came up at a much later stage and did another one (p28, Fantastic Films (GB) #2/(US) No.12)
Jean Claude Mezieres and Jean "Moebius" Giraud were good friends
ReplyDeletethey went to same Paris art school in 1950s