leading from
and
and
a) Dreams of Japanese industrial conglomerates In 1977, Robert Asprin's novel Cold Cash War was released, a satire of business, war and politics that dealt with industrial conglomerates in the future and n this future.
The book starts with
a conflict between a communications conglomerate and an oil company involved in war simulations.
Soon negotiating tactic results in non-military
personnel becoming targets.
Fake
warfare immediately becomes real assassination.
Soon there are other players involved as well.
A Japanese zaibatsu representing a community of Japanese-based corporations prepares to get involved as well.
Information
brokers and spies flit around the outskirts of the conflict, trying to
figure out what's going on. And most ominous of all - the Communist
nations (the "C-Block") sit silently in the background, biding their
time as the capitalists kill one another off.
Review of The Cold Cash War: The
Cold Cash War (1977) was Robert Asprin's first book. Asprin was later
to establish a name for himself with humorous fantasy - the Myth
Adventures series probably being his most impressive and longest-running
contribution to the genre. However, in 1977, Asprin seemed to have a
much more grim look at things.
In The Cold Cash War, corporations
are using military operations as a bizarre way of settling contract
negotiations. Armies - all wearing special suits and using non-lethal
weaponry - muck around in the wilderness (mostly Brazil).
By
employing armies of mercenaries to zap one another in this advanced form
of lasertag, the corporations resolve their disagreements without
having to deal with things like 'courts' or 'laws'.
The book
starts with a conflict between a communications conglomerate and an oil
company, but its focus quickly expands. A negotiating tactic results in
non-military personnel (e.g. 'Jan in Corporate') becoming fair targets.
Fake warfare immediately becomes real assassination. It doesn't take
long for the government to notice the sudden spate of dead executives,
and fake warfare soon becomes dangerously real...
There are other
players involved as well. A Japanese zaibatsu - for no discernible
reason - is preparing to get involved. Information brokers and spies
flit around the outskirts of the conflict, trying to figure out what's
going on. And most ominous of all - the Communist nations (the
"C-Block") squat silently in the background, biding their time as the
capitalists kill one another off.
The story is told through a
half-dozen disparate points of view. A corporate negotiator, an
information broken, a mercenary commander and even one of the marketing
team assigned to 'sell' the war to the public. Although some of these
characters are only tangentially related to the story, Asprin does an
excellent job of making these (thumbnail sketches of) characters
interesting, if rarely empathetic, through the old-fashioned use of
cinema-style smack-downs. I'm not sure I ever cared very much about
Captain Tidwell, but his ability to punt a knife into a charging samurai
is pretty cool, and certainly kept me reading.
The book
concludes with a bizarrely improbable resolution that neatly ties
everything together while still managing to leave the reader slightly
dissatisfied. The first half of The Cold Cash War is far superior -
mercenaries blundering around in an adult version of Ender's Game is
much more interesting than the vaguely Dystopian preachings of the
inevitable corporate-government conflict. (http://www.amazon.com/The-Cold-Cash-Robert-Asprin/dp/0441113826)
b) Leyland-Toyota
b.i) A company called Leyland-Toytota
During the times of the early drawings, Ron Cobb wanted to give names to the company that created the spacecrafts, and so they talked about them.
He saw it as a golden opportunity to throw in little scraps of information that suggested enormous changes in the world
He found himself near enough saying to the others "
I have an idea, I think the name should be something like "Leyland-Toyota"".
- Interviewer: Des
bonnes idées, Cobb semble en avoir eu beaucoup tout au long de la
pré-production du film. Des idées qui, pour certaines d’entre elles
deviendront des symboles du film, puis de la saga. Le nom de la
compagnie, Weyland-Yutani, est une idée de Cobb, qui voulait mettre des
noms sur ses plans ! »
Ron Cobb: C'était à l'époque des premiers dessins. Je voulais leur donner des
noms, on en parlait et j'ai dit que j'avais une idée, je pensais que le
nom devait être quelque chose du genre «Leyland-Toyota»,
une sorte de truc anglais/japonais.…
Google Translation:
Interviewer: Of
good ideas, Cobb seems to have had many throughout the pre-production
of the film. Ideas which, for some of them will become symbols of the
film, then of the saga. The name of the company, Weyland-Yutani, is an
idea of Cobb, who wanted to put names on his plans! »
Ron Cobb: It
was at the time of the first drawings. I wanted to give them names, we
talked about them and I said that I had an idea, I thought the name
should be something like "Leyland-Toyota",
a kind of English / Japanese stuff. ... (Aaarg no.6, 2014)
b.ii) An implied history
It would supposedly have been a sort of English/Japanese merger.
It would have been almost a joke but not quite.
Ron Cobb wanted to imply that poor old England was back on its feet and had united with the Japanese.
He decided that the Japanese had take over the building of spaceships in the same way that they have now with cars and supertankers.
But of course using those names would have invited trouble for
the production.
- Ron Cobb: One of the things I enjoyed
most about ALIEN was its subtle satirical content. Science Fiction films
offer golden opportunities to throw in little scraps of information
that suggest enormous changes in the world. There's a certain amount of
potency in those kinds of remarks. Weylan-Yutani for instance is almost a
joke but not quite. I wanted to imply that poor old England is back on
its feet and has united with the Japanese, who have taken over the
building of spaceships the same way they have now with cars and
supertankers. (Alien Portfolio)
b.ii) A company called British Leyland
Leyland the actual motorcar company had a tendency to be mutable.
Originally Leyland Motors which started off in the town of Leyland in North West England.
They would do things such as have a joint venture with an Indian company Ashok Motors to create Ashok
Leyland in 1954 building cars in India until 1975.
However 1968 Leyland Motors merged with British Motor Holdings to become the conglomerate British Leyland.
At the time, one might wonder what other transformations the company might undergo.
Perhaps a company such as Toyota seemed like a good idea.
b.iii) Change from Leyland to Weylan
Ron Cobb then changed the Leyland name to Weylan, altering the first
letter and perhaps he wasn't sure about the spelling.
- Ron Cobb: In coming up with a strange company name, I thought of
British Leyland and Toyota, but we obviously couldn't use Leyland-Toyota
in the film. Changing one letter gave me Weylan (Alien Portfolio)
b.iv) Change from Toyota to Yutani
Toyota also had to be changed, and so Ron Cobb used the surname of his neighbour, a Japanese woman named Amy Yutani that he knew very well
He thought "Why not Yutani? With the Y it could be nice"
- Ron Cobb:Changing one letter gave me Weylan, and Yutani was a
Japanese neighbour of mine. (Alien Portfolio)
Ron Cobb: Or j'avais une voisine, une
Japonaise, qu'on connaissait très bien et dont le nom était Amy
Yutani...
Google Translation:
Ron Cobb: I had a neighbor, a Japanese woman,
who we knew very well and whose name was Amy Yutani ... (Aaarg no.6, 2014)
b.v) Change from W-T logo to a W-Y logo
Weylan and Toyota began with the letters which still had the W and the T.
The change to Weylan-Yutani resulted in a W-Y logo, which Ron Cobb liked
He thought that it would be fun to develop a logo using the W and Y interlocking.
They tried a lot of variations and came up with some very industrial looking symbols, (we have an example of on of John Mollo's emblems with the letters below) which were to be stencilled all over the ship.
- Ron Cobb: I also thought it would be fun to develop a
logo using the W and Y interlocking. We tried a lot of variations and
came up with some very industrial looking symbols, which were to be
stenciled all over the ship. (Alien Portfolio)
- Ron Cobb: Je me suis dit pourquoi pas «Yutani- ? Avec le «Y» ça pourrait être sympa. Et puis Weyland à la place de Leyland... «Weyland-Yutani», ça donnait ce logo «W-Y»
que j'ai bien aimé.
Google Translation:
Ron Cobb: I thought why
not "Yutani-? With the "Y" it could be nice. And then Weyland instead of
Leyland ... "Weyland-Yutani", that gave that logo "W-Y"
that I liked. (Aaarg no.6, 2014)
 |
One attempt at creating an embled with an interlocking W and Y, by John Mollo from Alien Portfolio
|
c) Egyptian wings inspired by Mesoamerican eagle emblem from Friedkin's Sorcerer
In
the film Sorcerer (released in 1977), directed by William Friedkin who
directed The Exorcist, the remote Latin American village Porvenir is
heavily reliant on American oil company Lartigue and Co. oil .
This company send a group of men across the jungle to deliver unstable explosives to a burning oil field
The film looked as if it was be loosely inspired by Heart of Darkness, as if Friedkin were competing with Coppola who was off shooting his Joseph Conrad's Heart of Darkness based Apocalypse Now in the Philippines.
I might wonder Ridley knew about the movie since he liked Friedkin's The Exorcist, liked the idea of the use of an Mesoamerican style eagle and this sent him off to want to use the Egyptian winged sun motif
 |
The oil company's Mesoamerican eagle logo in Friedkin's Sorcerer (1977)
|
 |
| The emblem seen above in Friedkin's Sorcerer (1977) |
d) Going ahead with the Egyptian Motif
So Ridley got to a point where he wanted to use the winged Egyptian motif that would be used with Weylan-Yutani logo.
Soon the words were dropped so that it was the Egyptian motif by itself.
The joke got
lost unless you looked closely at details such as labels on underwear,
stationary and beer cans.
- Ron Cobb: Ridley voulait que les symboles aient l'air égyptien, vous savez, les ailes d'Osiris, de véritables hiéroglyphes, (Google translation) Ridley wanted the symbols to look Egyptian, you know, the wings of Osiris, real hieroglyphics,(Aaarg no.6, 2014)
- Ron Cobb: We tried a lot of variations and
came up with some very industrial looking symbols, which were to be
stenciled all over the ship. By that time though Ridley was already set
on using the Egyptian wing motif. We tried some combinations, but they
didn't really work. Weylan-Yutani now only appears on the beer can,
underwear and some stationary, so the joke sort of got lost. (Alien Portfolio)
- John Mollo: Weylan-Yutani was Ron's
invention and we all liked the sound of it. The name and the Egyptian
wings were hotly pursued at the beginning, but we eventually dropped the
words and just used the wings as a logo. (Alien Portfolio)
- Ridley Scott: The symbol above the monitor at the back which is the wings, is
actually taken from Egyptian erm... temple, and a lot of the elements
architecturally in here is you look around are rather Egyptian (Alien commentary from Alien Quadrilogy DVD and Alien Anthology Blu-Ray combined)
 |
| Weyland Yutani note paper heaidng from Alien Portfolio |
e) Weylan's origins in Lovecraft?
However the named Wayland could also be found to be the middle name of Francis Wayland Thurston, a character who is the
narrator of the story "Call of The Cthulhu" written by HP Lovecraft.
This was was an author who served as a key inspiration for HR Giger and of course Dan O'Bannon even when he wrote Alien, so one might wonder how further into the minds of the production crew the idea of Lovecraft's ideas drifted.
A Francis
Wayland in turn was president of Brown University from 1827 to 1855, a
place which HP Lovecraft wished to attend.
f) Legacy of Weyland-Yutani
Ron Cobb would see how the Weylan-Yutani name would live on.
In Aliens, it became Weyland-Yutani with a D added to Weylan making it seem more like Leyland.
The films Alien Vs Predator and Prometheus would tell different stories about the origin of the company Weyland
In Alien versus Predator: Requiem, he noticed that there was a Japanese woman whom a man says "Yes, Miss Yutani" to.
Thinking about his Japanese neighbour Amy Yutani in response to that scene in AVP: Requiem, he didn't know whether she ever knew about his use of her name like this.
- Interviewer: Des
bonnes idées, Cobb semble en avoir eu beaucoup tout au long de la
pré-production du film. Des idées qui, pour certaines d’entre elles
deviendront des symboles du film, puis de la saga. Le nom de la
compagnie, Weyland-Yutani, est une idée de Cobb, qui voulait mettre des
noms sur ses plans ! »
Ron Cobb: «
C'était à l'époque des premiers dessins. Je voulais leur donner des
noms, on en parlait et j'ai dit que j'avais une idée, je pensais que le
nom devait être quelque chose du genre «Leyland-Toyota»,
une sorte de truc anglais/japonais.… Or j'avais une voisine, une
Japonaise, qu'on connaissait très bien et dont le nom était Amy
Yutani... Je me suis dit pourquoi pas «Yutani- ? Avec le «Y» ça pourrait être sympa. Et puis Weyland à la place de Leyland... «Weyland-Yutani», ça donnait ce logo «W-Y»
que j'ai bien aimé. Ça a ensuite vécu sa vie et ça se retrouve dans
tout un tas de films. Ce truc, Weyland-Yutani représente toujours la
méchante corporation. Dans Alien versus Predator, i y avait cette
Japonaise à qui un autre type disait «oui mademoiselle Yutani»… Par
contre, je ne sais pas si Amy Yutani a jamais su que j'avais utilisé son
nom... »
Google Translation:
Interviewer: Of
good ideas, Cobb seems to have had many throughout the pre-production
of the film. Ideas which, for some of them will become symbols of the
film, then of the saga. The name of the company, Weyland-Yutani, is an
idea of Cobb, who wanted to put names on his plans! »
Ron Cobb: "It
was at the time of the first drawings. I wanted to give them names, we
talked about them and I said that I had an idea, I thought the name
should be something like "Leyland-Toyota",
a kind of English / Japanese stuff. I had a neighbor, a Japanese woman,
who we knew very well and whose name was Amy Yutani ... I thought why
not "Yutani-? With the "Y" it could be nice. And then Weyland instead of
Leyland ... "Weyland-Yutani", that gave that logo "W-Y"
that I liked. It then lived his life and it is found in a lot of
movies. This thing, Weyland-Yutani still represents the wicked
corporation. In Alien versus Predator, there was this Japanese girl to
whom another guy was saying "yes Miss Yutani" ... But I do not know if Amy Yutani ever knew that I had used her name ... " (Aaarg no.6, 2014)
.jpg)
%20by%20Jim%20Cameron%20%20references%20Ugly%20(for%20the%20Ugly%20club)%20(work%20415)%20(1979)%20by%20HR%20Giger%3F%20356133608_10230972894125251_8816869234179066653_n.jpg)
